Happy Flu Year

It’s the end of 2010, its 10pm and a thoroughly annoying dog has been barking all evening, quite possibly the owners reckon it’s a suitable night for pooch to be entertained by the fireworks.

If that’s not enough there is no football in the blue half of Sheffield tomorrow, the boiler keeps breaking and I’ve contracted Gastro-Flu.

Tis a cheeky little strain and one I wouldn’t wish on anyone. If you’ve had it, you know how it is, in bed, maaad dreams, bad guts, blah, blah, blah. My Freezer is full of Andrex soft quilt and the bathroom now houses a small, stacked library. Its not recommend as a weight loss programme, but it seems to be working.

New Years Eve. The end of one year and time for reflection before the rushing in of the New. A time for celebration surely?

Well the only thing that’s rushing in at the moment is the water in my toilet. I’m not writing this because I’m ill or cynical in anyway (moi?), I’m writing it because I’m passing time, passing memories and passing…

I’m hoping, of course I stay awake long enough to see Midnight and the New Year In and there’s only so many times you can say Happy New Year on Facebook...

I do have to say though; I can count on the fingers of one hand, the times when New Year Eve was a great night. A good night yes, but I seem to remember all the bad ones than remember the great ones. Like the time…

…no I’m not going there, that would be like the Diary of Baby Jane. I do have one observation though about the use of said Facebook.

I listened to an interview with Paul Weller this week who derided the use of the web for its communication uses as social contact tool. Now I love the bloke and I respect him, but it got me thinking, how much have we been able to say hello to people, write blogs & share pictures in the last 5 years or so quickly, widely and globally.

If you are able to go to a party tonight, good on you have a great time, but to those of us who are left on our own, it’s amazing how easy it is to be able to communicate to friends and family to give our wishes of a Happy New Year. Without infecting them of course…

Sure there are the negatives as much as there are positives with social sites, but I won’t go into those as The Daily Mail cornered that market years ago.

New Year to me has never meant much, its just another day, it’s just the Chronological petrol pump of time clicking over by 10 pence. The fact we all have to put 2011 instead of 2010 when we scribe the date, apart from the odd banking/ contractual/global treaty error – who really cares?

I said at the start I wouldn’t get cynical in this blog. Well after se7ern days off the fags that was never going to happen – but unlike the New Year Resolution gang, my 23^rd December resolution is now kicking in – enjoy your last ciggies tonight you gym bound hero’s.

I for one wish everyone a Great New Year, get well soon lurgy peeps and I hope that 2011 see’s much mirth & merriment…

(Oh and here is a pic of my good self behind the lens after a year of getting some lovely Shots – Thanks to Chris)

Enjoy your Sprouts

This could be a hate fuelled blog/rant about how I hate Christmas Shopping. Loathing every minute of the painstaking process of listening to 70's Christmas songs, buying wrong sized clothes and crap that no one really wants despite their Mona Lisa like indifferent smiles (or enigmatic if you like). Or it could be about the huge amounts of turgid, stodgy food that gets peddled out once a year just because someone, somewhere said we should do so (I blame Charles Dickens and Delia 'lets be avin yer' Smith personally) but no, to be Scrooge like this time of year will not go down well with the Ghost of our Christmas Futures (and I really disliked that, faceless, hooded scary pointy finger guy) so buy a Turkey for Tiny Tim and enjoy a picture of a tree in snow. So Happy Christmas everyone. Enjoy your bad jumpers, paper hats, bad jokes , Cliff Richard songs and of course your sprouts...

A Hoochie Coochie Man’s date with a Kettle Part II

As a progressive rock fan, Blues music wasn’t really on my radar at the time I had my climbing accident. Sitting at home with a pot on my right leg, I had no idea what the hell I was supposed to do with the crappy, pillbox red, six-string stratocaster copy sitting in front of me.

It was, in hindsight, a mammoth start of a journey that I still travel with many a twist and turn, but when you pick up a plank for the first time, it’s a daunting prospect plucking & strumming an instrument that immediately sounds like a cat being run over.

Clapton was my starting point, and after many frustrating sessions, I finally mastered Wonderful Tonight and the repetitive throng of the Animals House of the Rising Sun.

In fact, second to climbing, much to my family’s distaste, I found that I could actually play the damn thing without knowing what the hell I was doing. Much like my climbing style of the time.

After a few history lessons from fellow guitarists, I started to get into the Delta, Mississippi and Chicago Blues greats: Freddie King, Chuck Berry, John Lee Hooker, Albert Collins, Albert King and my favourites, Muddy Walters and Howling Wolf.

The last two artists blew my mind wide open and whilst my peers, friends and girlfriends were embracing the full on indie 1989 scene, I had those 3 chord dirty licks resonating round my bedroom night and day. Suckered in and high on the heart felt lyrics, tones and simply brutal, yet beautiful songs of the masters, I was hooked.

Strangely enough, it was whilst watching the 1984 Tom Cruise film, Risky Business, laid up, pot-legged that led me to discover Muddy Walters and the seminal Mannish Boy. Despite the lovely Rebecca De Mornay’s charming presence, more of interest to me was the high-class hookers party scene, set to Muddy’s raunchy gravel like tones interspersed with that infamous five-note guitar/harmonica combo riff.

Manish Boy starts with simple, thin blues licks from a rare for the time electric guitar, Muddy’s band hollering in the background before that iconic riff kicks in, Muddy claiming he’s a ‘Hoochie Coochie Man’.

Written by Willie Dixon and performed by Walters, Hoochie Coochie Man was a similar five riff that song that gripped me. The Hoochie Coochie was a sexually provocative dance that became wildly popular during and after the Chicago World's Fair in 1893. A Hoochie Coochie Man was a man of dubious virtue that encouraged this bumbing and grinding, often-making money out of the performing girls…the oldest game in the book. That scene in Risky Business with Muddy’s Mannish boy belting out suddenly made sense.

At the time of my accident, the late Jeff Heely, a seminal, wonderful Canadian guitarist, blind from birth, who played his guitar on his lap, covered Hoochie Coochie Man for a lame Patrick Swayze film, Roadhouse.

Despite the naffness of the film, one thing that came of it was that I used it as a soundtrack to learn the song. Soon after the pot came off, I was then invited to join a fairly successful local blues band to perform the number at the Christmas show in my local Village.

My first gig, a month or so after picking up a guitar and I had been asked to play and sing a Muddy Walters number, not just A Muddy Walters number, but maybe THE Muddy number! No pressure then…

First things first – I needed a better guitar. I think I had pretty much broken the loanee Start (a trend that seems to haunt me with guitars to this day) I flogged some climbing gear for much more than I paid for it and bought a cheap Gibson Les Paul copy. Although it sounded like a banjo and was heavy as a pregnant hippo, I procured it on the strength that we eventually managed to make it sound like it was crapping like thunder through a Marshall Amplifier. Good enough.

A week later came the gig. I wasn’t scared or apprehensive, I was absolutely cacking me crackers. The set up was fairly professional I have to say and the crowd was made up of hardened fans of the blues that had seen many an act, first-rate and shocking. I was convinced I would end up the latter genre…

To compound things the leader of the band, Steve, the rhythm guitarist, decided that I would come on fairly late, give me some time to practise and have a few ‘courage sherberts’. Again in the unfortunate series of events; this was in the guise of a few Jack Daniels “get em down ya lad – all the best guitarists drink this…”

I had never touched the stuff and it was vile. Safe to say, I didn’t feel very rock & roll when I tipped up on stage in front of a few hundreds of merry, warmed up punters, more Keith Chegwin than Keith Richards. If the nerves weren’t going to get me, sure as hell the Jack was.

With hindsight, having played a few gigs since, I realised Steve knew his stuff. Go on late and most people are too blotted to soak up any more crap and so just go with the noise in front of them. Thank god. For some reason I had decided to adopt a Paul Rogers one-legged stomp during the performance (a lá Free). My mate asked me after if I needed the toilet.

As it happened I did. The song went down well with the lushed up crowd and I must admit the band carried me, no honest, really… it was all…shucks… thanks…

Oh dear. I then knew the real meaning of stage fright, the churning fear, nervous anticipation, the harsh reality of the moment and the sickening feeling that Mr Daniels had heaped upon me.

For some reason, at the time I thought that as a teenager, having a kettle to make your mates drinks in your bedroom would be cool. No need to go down to the kitchen, having to see the parents and get any grief. I know, a bit of a crap idea.

However the last duty of said kettle was a heroic saving of the mixture of the nights fear and bourbon fuelled events. The ‘comin of the boy child’ wasn’t what it should be – moreover I spectacularly filled its contents with projectile vomit accompanied with that horrid spit, cheek suck, lip-lick smack action.

My introduction to live Chicago Blues, 15 years old, a crap guitar & voice ended in ultimate humiliation. That should be enough to put me off bothering with it all ever again, end of. Not bothered with it all, no blues artist will ever tempt me back playing live...

I got invited back the next week for a small gig to play a B.B. King Song: The Thrill is gone.

Uneducated, ignorant and uninspired I asked…

Bee Bee Who?

A Hoochie Coochie Man’s date with a Kettle

Learning a musical instrument was something I thought would always be beyond me, I had neither the patience, dedication nor skill I had decided after dabbling with the Coronet and Cello at School. However often in life, fate brings together a number of events to provide a catalyst to kick-start something unexpected.

It was 1989 and I had spent the Summer and Autumn learning the ropes and getting to grips (literally) on the Peak District’s gritstone edges and quarries, Rock Climbing. The weather that year had been pretty damn good and I soon took to climbing loads of great routes, steadily getting harder and harder and whilst not being able to climb, outside, getting in some training indoors.

In those days Sheffield had one indoor training facility, or “wall” (it now boasts several) for climbers who wanted to continue to climb when the weather turned bad and the onset of winter meaning no climbing after School.

The ‘Al Rouse’ wall was based at Sheffield Polytechnic in their sports hall and quite frankly it was crap. Made up of two book-ended walls, its featured façade was a blocky brick affair with limited movement and repeated climbing traversing back and forth. It was a dull affair.

Some bright spark then invented removable plastic ‘holds’ that could be fitted to a wall to create and imitate climbs indoors that were more akin to the movement that could be joyously found outside on the natural crags. Sheffield’s first wall to utilise these moulded grips was in the gym at the Y.M.C.A. (it was fun to stay…). Suddenly we had coloured circuits to follow like twister meets dot-to-dot problems, arms & legs were tested and we had challenges to work on our technique, skill and strength. The fact I used to go on a Tuesday night when the girl’s trampoline class took place, in the gym was purely coincidental.

The object of my desires wasn’t just a lithe strawberry blonde bouncing up and down however; it was the new blue circuit consisting of a grand traverse that stretched the length of the gym walls. This was ‘worked’ week upon cold icy week, until finally I tore my head away from the trampolinist tottie and linked it in ‘a oner’. Job done, the beer was earned and it was on to the next challenge.

Now I don’t know about other sports, but in climbers there is always an urge to return to some of their greatest achievements to test themselves again, just to show to your own ego that you have still got it. It’s like the beach cricketing dad that smacks his son’s pee-rollers into the sea just to prove a point that he can but probably couldn’t when he should have, 20 years ago.

One of the unwritten rules of climbing I learned early door was, never go back.

First trip back to the YMCA after my triumph, the girls were flipping & getting some air and I was in a mustard keen mood. Quick warm up and I’ll do the blue circuit because I’ve done it now and it’s in my ability. Well in theory. One ‘stopper’ move saw me on the ground many times and my now swollen ego had summarily kicked this out of my memory as when I reached it everything felt wrong apart that I was trying to be a clever clogs who would be taken down a peg or two when inevitably I fell ten feet onto the hard wooden floor of the gym, landing on my right ankle, my foot 90 degrees to my leg.

Cutting a long story short, after trying to watch the trampolinist's, looking as miserable as myself. hoping the pain would cease (‘young man, pick yourself off the ground’) it was a trip to A&E. We had been at the YMCA all of 10 minutes. Two days in hospital and I returned home on crutches having snapped a ligament, “worse than bone breakage” said the consultant. Great, two weeks off school. Nothing much to pass the time… …until a red top Stratocaster copy guitar was passed over to me…

Pt 2: Muddy Walters & the Kettle...

The Secret Diary Of A Guide Scribbler…

...By Simon Jacques (35 and a bit...)

Monday: Checking…

The new week and surprise, surprise the pitter-patter of rain auditions at the window, its symphony sounding a perfect day for checking out the Whatstandwell Area, with fellow guide scribe Offwidth. Sometimes you never visit places because no one else you know has ever been there, waxing lyrical to entice the senses. Sometimes because you don’t see them in the magazines, and sometimes, well just sometimes, because they are quarries like these. That’s not to say they are to be ignored, oh no! These holes in the ground aren’t, as some suggest as bad as genital herpes, they do truly deserve a visit as indeed we did on this wet day. Tipping our chins up to the quarry’s lip, great lines soon became evident and much scribbling ensued, as inky tear drops ran down the ledger. On the way back to the car, we spot a dubious video cassette stuffed into a hole in a dry stone wall. Obviously the youngsters of Whatstandwell’s porn sharing drop off…now that got you interested…

Tuesday: Piccies!

This is more like it, the great fireball burning up crisp azure skies …a photo day for sure. With blue & yellow t-shirts on the menu, the order for the day is some smashing Chatsworth Grit at a fine esoteric location. It sounds great doesn’t it? Well not quite... First off the farmer is bringing in his cows on the approach lane. Then the light starts to play a little game with us. As soon as Mr or Mrs model springs on the rock, a cloud shuffties over the sun. As soon as nothing’s happening, it moves on, mocking us… as the rock becomes bathed once more in perfect sunlight. If you have ever taken springtime rock shots in the Peak, you will know exactly what I mean…

Wednesday: Catastrophe…

Access issues plague the day, as a well-known bouldering circuit is no longer open for climbing. Phone calls are made and the mood is sombre after scripts have been prepared and photo’s taken. Still, it brings home the fragile relationship that we sometimes forget exists between ourselves and the environments we inhabit, not to mention the importance of keeping existing access agreements in mind when writing guides. An admonition in what can go wrong has been dealt out and due care must be heeded…

Thursday…Pioneering!

A day of action! A spot of exploration, new problems and getting down and dirty in the greatest woods in the region. For some, Froggatt may conjure up visions of smooth slab lines, soaring arêtes and crunchy cracks, all with a sprinkling of stars. Well them’s for me too, but maybe not in the same parts of Froggatt that you know and love. We are off to the neglected buttresses that lie below the main approach path, the rocks that you pass as you make your way to 3 Pebble Slab, Valkyrie, or maybe a Roman Orgy (yep its in the book!) The greenery of some of the bloc’s is soon overcome by a light brush and quality problems are sent. The dedication of the team operating in these parts to clean and find new lines is admirable, and after extensive searching and some hard graft, the script becomes rich with some truly inspiring lines. My bath at the end of the day is soup like in its consistency; complete with Lichen Shampoo, a sign of a good scrattle in them there woods…happy days…

Friday: Old Hands… New Routes…

I’ve been studying lines, straight ones, bendy ones and ones with a bit of a crick in them. This one’s the former of the former in that it should go, well, straight up! Enlisting the help of a fellow NHS chum on one balmy evening, we tramp down from the Grouse Pub to Tegness to see if it will go. Belay steaks are clipped, worried brows are furrowed, and clipped brows are worried. After a short top rope session, a worried cameraman is shitting his pants… But I fret needlessly as the warm up’s in the Quarry are dispatched easily by Lee who seemed oblivious to the shaley nature of the crag, loose holds, and scary top outs that are literally to die for. Through a lens, his soloing becomes strangely comforting, this is a man who knows this territory and is a perfect choice for the last great line in the Northern Quarry. Which makes it all perfect when he ties on at the bottom of his new route, I doubt he even recognises what he’s about to do. He climbs so fast, whacking in some poor gear, and soon he’s at the top, giving me time for only a couple of good shots, and with only a slight pause for reflection, states a grade of E3 6a. Evening Light was thus born, an unsightly offspring compared to its extended family of handsome siblings over Froggatt way. Yet this child of a honest but unloved crag can proudly hold its head high, just as its creator does each and every day…after all, Lee is 6ft 4!!

Saturday: A Kinder Surprise!

The Alarm goes off at some god awfull time for a Saturday, coffee is necked as pack up’s are hastily assembled. Guidebooks tumble off the bookcase as I try to locate the most recent to Ashop Edge. The 1970’s one, it seems, will have to do. The Grouse accompany me across the bleak moor to the Northern Edge where we hook up with the rest of the Moorland Grit Guide Team, and new routing is the name of the game it seems. All goes to plan and so far so good. Then Kinder starts play the very devil with me, evil green grit, and on the second of a new route, I pull a hold off that explodes onto my forehead, sending me spinning off into the wild moorland air… Stunned but not deterred I don a lid and fight my way back up slippery pinches to sneaky undercuts, and the route is battered to submission.

We move around Ashop edge, suspicious, nervy, a kind of respect growing to its remoteness, its ability to play games, fooling & teasing. Nowhere then more so apt than Jester Cracks to take my next fall down the mountain… just someone, somewhere, in summertime…

Sunday: Research…

Interestingly, I find that the husband of my old Primary School ‘Nit Nurse’ has put together an unabridged history of Baslow; so I gain some fascinating info for Gardoms. The origins of Froggatt elude me, until I find that it’s named after the people who dwelled there whom pertained to look like Frogs! …Must try harder…(see the book I found it eventually…)

Obtain some very rare pictures of quarrying at Tegness and Yarncliffe via a local source, humbling and exciting in the same instance… Oh and did you know that Julian Cope, the famous 80’s rocker has a website called The Modern Antiquarian, which deals with all things ‘Time Team’? Well he does, and a great source of information it is too, for places like Rowtor Rocks and Robin Hoods Stride. Speaking of which, a seriously good book for some historical quotation is E.A Bakers’ tome, Moors, Crags and Caves of the High Peak & Neighbourhood, check it out, they don’t write them like that anymore…

I end the very long week, in my cosy shed, perusing by lamplight some of the influential past guides to Peak Gritstone. Penned by such seminal authors as Byrne, Gregory, Allen and Milburn, these vast mines of information bequeath seams of guidebook gold, which continually encourage, concentrate the mind and force a grounded approach to the next modern working guide to the Peak Grit area. Something we hope you will all enjoy as much as we have in its long, sometimes painful but never dull and always inspiring creation…

From Froggatt to Black Rocks is out now see:

http://www.bmcshop.co.uk/product_info.php?cPath=347&products_id=5932

The soon to be classic Over the Moors guide is due in 2011. Keep watching the shelves…!

Baslow and its Eagle Stone

“Change comes not,

this dread Temple to profane,

Where time by aeons reckons not by years,

Its patient form one crag,

sole stranded, rears…”

William Watson

This quote from a Sonnet by the bard William Watson is what W.A Baker in his book, Moors Crags and Caves of the Peak District (1903), used to describe a trip to the rock known as the Eagle Stone, which sits majestically upon the open moor behind Baslow Edge.

As to whether Watson was indeed filing his nails on his boots while penning this little ditty beneath the lone sentinel, we shall never know, but one would understand Baker revelling in his writers licence, referring to the Eagle as that sole stranded crag.

The mighty Eagle Stone’s name may come from “Egglestone”, meaning Witch Stone or it could be after the Pagan God “Aigle” who used to hurl huge missiles of rock for sport, as they used to do…

In related terms there is also the boulder of the “Aiguille” at Hen Cloud and indeed the “Agglestone” which nestles on a hillock over looking Studland Bay in Dorset, which has its fair share of theories of who threw that massive hulk. Some say it was the Devil, living in a B&B on the Isle of Wight trying to knock over Corfe Castle and missing by some margin…

Whatever the folklore elsewhere, Baslow, and its history, takes us back to the Monolith of The Eagle Stone, where the crags humble beginnings began in the 19^th Century with the stones north-westerly nose being a challenge for the men folk of the local villages whom wanted to marry their beloved.

The local tales pertain to the young fellows, who could not wed their bride until they had shown their fitness and agility by climbing to the top of the stone.

Most probably fell off on purpose and trudged off with smiles on faces down to the local Inn to meet their mates, but many have followed in their footsteps to put up some great test-pieces and foolishly ended up with a ring on their finger…

... 'time by aeons reckons' indeed...

Bole Hill Kids (circa 1989)

“Hundreds & thousands please?”

The cigarette was stuck fast betwixt the ruddy lips of the ice cream lady, as she shuffled over to a stack of grubby tubs, muttering in a slushy Yorkshire drawl, the ash bowing, drooping and ultimately falling into the multi-colured needle thin sugar strands.

The snow had come unseasonally early that year, a half arsed smattering over the crags had lead us to the relative warmth of the Quarry. After a few pitiful attempts, we soon became bored with frigging Redbits, a fierce finger crack in Lawrencefield’s Surprise bays, and so with gear and ropes left in place we made it over to the car park to get some fags from the ever present Ice cream van, ‘Jean’s Creams’.

Oaktree had decided that as I looked the oldest, I therefore would be our best hope. At 14 years of age, that was a backhanded compliment and needing a distraction from climbing so poorly, I reluctantly volunteerd.

“Sorry luv I don’t sell em… but you can av a few o’ me superkings” Jean said, as two of the largest cigarettes ever concieved were prised out of a shoebox sized packet. We orderd a few 99’s and the greasy, lumpy ice creams covered in the garish ticktack sprinkles were passed over.

“Oh and I’ve got an ‘amlet if tha wants it?”

We bode our thanks, I put the cigar into my chalkbag for safekeeping and we shuffled through a light snow carpet over to the quarry lip and launched the ice creams into the pool.

In between sparking up and dive-bombing the ice’s water bound, Smee announced that the fish in the pool would be happy to eat the discarded fayre.

“Fish? In that shitty pool?” exclaimed Oaktree, “S’not bloody Grimsby docks!”

“Aye that’s where thee was last night at thee girlfriends” came back Smee.

Streaks of Ice had taken over Gingerbread slab and yet there was a surprising lack of white stuff on the vertical, so I protested that we should try Great Peter, me being the only one who gave a toss about looking in the faded 1979 guidebook to find a route, Smee now rolling a spliff and Woossy wanting start a fire to get warm and go look for some seaonal shrooms in the unseaonal September snow.

Oaktree agreed to belay me. I told him we would cruse it, “Finger crack. HVS guide says, piece o’ piss, best watch me though”

Locking and torqueing fingers, I quickly shufted up the fine crackline, the wobble block providing the interest before the long crux reach, during which Peter the Great spat me off.

Spitting obcenaties, I had a breather warming numb fingers and soon cranked it out to the larch tree ledge.

Oaktree took an age to second, he always did, and so bored and shivering, I reached into my chalkbag, salvaged the stoogie and proceeded to try and light the bugger, just as wispy snow began to flit around the quarry coupled with that strange silence that accompanies.

Just as I got the Hamlet nicely fired up, it was by now quite chalky, without sound nor warning, the rope began rapidly snaking through my Figure of Eight.

Oaktree soon found his voice and after a comic fumble with lighted match and cigar, I just managed to stop his arse hitting the deck by a gnats fart. A torrent of abuse billowed round the rocky crucible, followed by fits of nefarious laughter from a now well-baked Smee.

As cheap cigar smoke filled the air, I admit I could think of nothing else to ask…

"did you fall off?"

Marcus Mumford gets his recognition...

http://www.bbc.co.uk/radio1/events/mumfordandsons/

Guitars, bars & rock stars... Part 2

Now back to Swarthgill & the impending impromptu birthday gig up in the Yorkshire Dales - the link to the 1st part:

http://simonjacquesfiles.blogspot.com/search?updated-max=2010-10-03T12%3A40%3A00-07%3A00&max-results=7

The hoards having been well fed and watered, settled down in a spacious room within the bunkhouse, whilst the newly crowned "Swarthgill Swingers" entered to make their début. The hushed room was greeted by an opening track written by a buxom US Country Singer - it was a hell of a gamble - especially as I opted to play Toby's mandolin on "Jolene"...

I had in the past played such illustrious instruments such as The Flugal Horne, Banjo and Jew’s harp – but never a Mandolin – what quite possessed me I do not know however this went down better than expected, mainly due to some great Singing from Natalie

Following some Pink Floyd (Wish you were here) & The Jam (That's entertainment) it was time for John & Marie's Birthday Blues, which we had written rather in haste, with any of us not really knowing how the song went, or indeed should go. No pressure then myself being the lead writer and player.

For anyone who has ever heard a Status Quo Song – they, in the main, follow the 12 bar blues rule, and this building block of modern music phrasing has been around ever since Robert Johnson sold his soul to the devil by the crossroads in 1936. Not that one could ever compare the two of course in terms of musical importance, but you get the idea.

Johnson and his contemporaries simple melody has been utilised down the years in so many songs, and it was this template that was followed for John & Marie’s Birthday Blues. This was finally delivered somewhat nervously by our rag-tag outfit to by then a fairly expectant audience that would take no prisoners if Mr Cockup arrived at the gig.

Safe to say I will not repeat what the hastily cobbled lyrics were – but for those interested – the performance is captured here:

http://www.youtube.com/watch?v=l8fvl3gBNr0

Robert Johnson may be destined to sup with the devil, but at least he played a hell of a lot better than me…(I’m the one on the left btw…) but hey! it was a (re) - start!

...and what happened to Nat the guitar? That's next...

Solomon Burke RIP

US soul singer Solomon Burke, who wrote the classic song Everybody Needs Somebody to Love, has died at Amsterdam's Schiphol airport aged 70.

The former preacher turned singer had been due to perform at a well-known club in the city on Tuesday.

The self-proclaimed King of Rock & Soul was inducted into the Rock and Roll Hall of Fame in 2001 and won a Grammy in 2003.

Burke leaves behind 21 children and 90 grandchildren.

Dutch national broadcaster NOS said he died on a plane early on Sunday after arriving on a flight from Los Angeles.

The cause of death has not yet been announced.

Dirty Dancing

Born in Philadelphia, he began his adult career as a preacher and hosted a gospel radio show.

In the 1960s, he signed with Ahmet Ertegun's Atlantic Records - home to Ray Charles. His first hit record was a cover version of the country song Just Out Of Reach.

In 1962, he had another hit with the single Cry To Me, famously used 25 years later in the film Dirty Dancing.

Two years later in 1964, Burke wrote and recorded arguably his most influential song Everybody Needs Somebody to Love. It went on to be covered by artists including The Rolling Stones and Wilson Pickett.

Burke performed at Glastonbury in 2008

It was also performed by Dan Ackroyd and John Belushi in the 1980 film The Blues Brothers.

Burke was inducted into the the Rock And Roll Hall of Fame in 2001, the same year as Michael Jackson, Aerosmith and Island Records founder Chris Blackwell.

His career had something of a revival the following year with his record Don't Give Up On Me, where he sang songs written by artists including Bob Dylan, Brian Wilson and Van Morrison.

It was named best contemporary blues album at the 45th Grammy Awards in 2003.

Burke, dubbed by legendary Atlantic Records producer Jerry Wexler as "the best soul singer of all time", continued to perform and played Glastonbury's Jazz World stage in 2008.

Earlier this year, he performed in Gateshead, Exeter and London's Jazz Cafe, spending all of the gigs seated in his specially made throne.

In an interview with The Telegraph, Burke said: "As long as I have breath to do it, I'll sing, with God's help."

....I saw him once in concert & had a voice that broke the room into rapputios applause... a true great!

A recession in sweeties...

To Autumn by John Keats

Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o'er-brimm'd their clammy cells.

Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap'd furrow sound asleep,
Drows'd with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.

Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too,--
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies

York Downs & the Promotion of Blackpool FC

The first day of York races - what a day to visit the downs of said town with Mollie dog - we stumbled into an arena on a packed express train, full of wanna be toff's, tarts & toss potts...

...it was just the beginning of an strange old day...

Played out with radio commentary of a west coast seaside resort gaining Premiership status, I had many issues to deal with - mainly as the train glided into York Rail station, the doors opened and Molly slipped her collar & bolted off the train, running away up platform 2 on the fine famous York Station... My bag was still stacked amongst many others on the train which was ready to head off to Newcastle at any moment. I had to choose between the two, very quickly...

No contest...sprinting faster & faster past the shuffling race goers dressed to their nines, down the platform to catch Molly dog, I flung myself at her in the 1st rugby tackle I had performed in many a year... Huffing & puffing with Molly cradled in my arms, I re-boarded the train, swimming against the crowds much to their consternation, still trying to depart the carriage, . After some choice words from a lovely chap, I managed to salvage my bag from the train and sat panting on the dirty platform, that's me, not the dog. After getting my breath back we finally strode into town and off along the river Ouse, my nerves still shot and heart still in mouth. The day got hotter and we sweated in the meadows until we came to sit by the wondrous river Ouse. Blackpool's remarkable promotion to the Premiership had just been sealed as molly swam in the cooling river and I finally felt that I could relax... "Well done all" I concured as we laid on the banks by the flowing waters...

Norman Wisdom R.I.P

1915 - 2010 - R.I.P

I was lucky enough to see this great man live in the wonderful seaside town of Sandown on the Isle of White when I must have been around 6 years old (1981), and although I remember little of his stage show - I remember laughing my bum off when he had a mad machine torture machine that he got caught up in, that included a studded mallet that smacked his arse! Saturday afternoons laid on the sofa suffering what we know know as man flu, saw Norman entertain me with such classics as Trouble in Store and The Girl on the boat he was an early film & comedy hero of mine. He often played a humble fool with a big heart, but the charm & wit that he exuded whilst capturing our hearts will endure. Have fun & keep on laughing Norm...

The night is more alive...

"I often think that the night is more alive and more richly colored than the day". ~Vincent Van Gogh

Not a morning person, I concur.

Lucy

She dwelt among the untrodden ways
Beside the springs of Dove;
A maid whom there were none to praise
And very few to love.

by: William Wordsworth (1770-1850)

Stockings & Suspenses...

Have you ever been to Filey? This view from Filey Brigg, a spit of land jutting out from the east coast captured at 6am shows how remarkable this small coastal town can show its delights. Go inland for a wander, country walk and you might be struggling for a way forward - its all farmers fields & boring lanes. Apart from the Coastal path - walking in these part's is fair crap. Perusing a landmark map a way forward came in fit's & starts and we set off for a jaunt round Stocking Dale...


Whilst keeping an open mind, I wondered what I would find in this dale of hosiery, and I was surprised to find an abundance of fecund rabbits running hitther & thither, searching a bolt hole to avoid our rude unwelcoming

We sat upon a hill in Stockingdale to eat & reflect on our walk - after our sustenance I asked to the males of the group - "tights or stockings"? A grin on the chaps faces said it all...

Guitars, bars & rock stars... Part 1

Meet Nat the Tanglewood, or rather don't. Nat was purchased last year to spearhead my new found love of performing to audiences in as many random formats as I could muster in 2010. I purchased Nat in November 2009 and as you may not be surprised, couldn't wait to get her home for a good seeing to, turn up the Amp to 11 and I'm Johnny Marr, Eric Clapton or Marcus Mumford.

Choosing a guitar is a remarkably personal experience. Its not just the looks, the make, the sound that is taken into account, the thing has to call you to buy it. When selecting said item, the guitar has to be more than the sum of its parts, a holistic experience that consumes you with an indescribable sense of joy when you play, whether that be on front of a packed out audience or simply on the loo. As they say in Eastern Parts, the guitar and yourself must become one.

So back to Nat. I had been looking for a guitar like her at a budget price since I started playing in 1991, and I found her after a long search. She played great, she looked great and wasn't too pricey. She was the one.

Prior to purchasing Nat, 2009 had been a year of parties, events and weddings with most weekends being taken up with some sort of hedonistic activity. This included trips round the countryside staying with friends and celebrating many a 40th birthday.

Being a guitarist that doesn't fit into any category (aren't we all?) and detests the whole sitting in studios laying down tracks over and over again, I like to think of myself as a minstrel who goes where the wind takes me with guitar in hand and not a jot of music to read. Summer last year and a slight southerly breeze helped me on my way to Bradford with friends for a curry like no other I have ever had, but that's another story. This saw me meeting Rob who was kind enough to offer a lift to the Yorkshire Dales for the weekend to celebrate 2 mutual friends 40th birthdays. Having never met me, only via email, I thought this to be rather charming and on the condition that I navigate us there in the dark with a modicum of success, he was happy that I shoved my small Spanish acoustic in the back next to Rob's brand new black Takamine acoustic guitar and off we went.

Arriving in the delightfully remote Swarthgill bunkhouse, it soon became apparent that there were others of the same ilk that were happy to arrange a few small Jam's to see how we may be able to all play together, or not. Four strangers consisting of 2 guitarists, a mandolin player and a rather enthusiastic injured singer called Natalie who had a songbook bursting full of a wide range of chunes, were all thrown together for differing personal reasons.

Having being used to a handfull of songs regularly played with friends, with some questionable pitches and tones when so called "singing" I suddenly had the challenge of working with a very talented voice. Natalie did not know what key was best suited to her so we had a lot of work to do if we were going to pull off being the entertainment in the evening. We were glad that the house was heaving in wine, beer and many a spirit to numb the ears of our potential audience who were out doing outdoorsey things the following day, leaving the house empty for our rag tag band to rehearse, eat home made jam & toast and generally worry our little socks off.

Never short of an opinion, I threw a few easy songs into the mix, but was soon given short shrift by my new band mates raving about bunch of songs that I thought would be impossible to learn in an afternoon. Sure enough the first five songs selected were mashed up to a pulp as we struggled with key's, chord changes, tempo and varying abilities. Some didn't even know the songs (not a good idea!)

I suggested a short constitutional up the dale to clear our heads and enjoy our surroundings, my only idea so far that day which was accepted. Trudging at the back of our small group, I had a sense of the uselessness of our situation, it was like being in ALL the bands I had ever been in again, controlling, demanding, repetitive and most of all, not one bit fun. I had stumbled into an arena yet again out of my comfort zone, I lacked confidence all of a sudden and doubted that I actually wanted to do this with these people I had never met before.

I felt I had to do something to inject a bit of said fun into the proceedings, rescue our ragtag outfit from going down like a pair of lead knickers. We all sat on a grassy bank where I asked Natalie if she would like to write a song from scratch, starting now, here, a birthday song done in the format of 12 bar blues. This went down well with our group and sparked a bit of a revival and energy in our rehearsing back at the house, coupled with the sun being far over the yard arm, a few beers and our set list came together in an intense session cumulating in our new song for the birthday boy & girl and a very odd set of songs.

We felt confident but not complacent and as the hoards returned from their days out climbing, running, walking and cycling, we put our instruments down, sore from playing to socialise once again in the knowledge that we had got through one challenge in adversity together, but could we do it all again in front of these good people?...

Coming: Part 2: Nat the Guitar's untimely ending & the starting of many a shonky gig...